Oil or Acrylic Supplies
Your supplies should fit in a lightweight bag or backpack and be light enough for you to carry (or have on wheels) when working outdoors.
_ Serious about painting? Easels include: Open Box M, Guerilla, EasyL, Strada, SunEden, Coulter, Soltek, etc. are good brands. Questions? Let's talk.
_Beginners? Easels include: Any of the above or on a budget?
Cheapest and Lightest Option for extreme beginners- a tripod like easel that holds your canvas. You will have to hold on to your palette while painting or have a stool.
342 Lightweight Easel with stone bag $29.99 click here
Traditional French Easels like the ones that Monet and Renoir used. click here for A & F of Sarasota $115. This also contains the box to hold your paints and your wooden palette. It folds up and is ready to carry. (Not recommended for air travel since it is a bit heavy).
Mixing palette – wooden palette or Jack Richeson Grey Matters toned paper- 11” x 14” approx.
You may bring any color palette you are comfortable with using. I use the basic palette listed below.
Using fewer tubes is less to carry and provides good color mixtures. Gamblin Artists Colors are my favorite oils and now offer the 1980 line which is more affordable. Golden Open Acrylics are a favorite acrylic because they stay wet longer than regular acrylics and the colors are most like oil paints. On a real budget? Jack Richeson has a Basic Signature Oil Set of 6 (one of each primary, white, black and pthalo green).
Oils. Limited palette. Two of each primary (one warm, one cool)
Cadmium Yellow Light (or Hansa Yellow) Indian yellow
Cadmium Red or Napthol Red Quinacridone Magenta or Permanent Crimson Red
Gamblin Solvent Free Gel
Similar colors as oil. I prefer Golden Open Acrylics.
Golden Open Acrylic Gel Gloss
ADDED Colors (—NOT required for class)
These additional colors can be added. . You do NOT need to buy any of these colors. I am asked what else I use so here is that list.
Cad Orange Deep
Radiant Turquoise (on occasion)
Radiant Blue (You will receive a sample in class.)
Radiant Red (great for pink buildings)
Use good long handled brushes and not old worn out brushes. I use a variety of synthetic, bristle, flats (favorite) and rounds (smaller brushes) to achieve different shapes and edges.
Jack Richeson has a nice line of Grey Matters synthetic brushes.
Make sure you have some larger brushes #12, 10, 8, 6, 2
Several styles of palette knives for mixing or painting with. I prefer the long thin knife that doesn't have a v shape. Image coming soon.
Canvas panels (not stretched canvases) are easier when painting en plein air. You can use either canvas or panels when at home. Ampersand Gessobord is my personal favorite for panels and you will receive two sample panels to work on when you take a three day workshop.
Student grade panels are fine for beginners.
8x10, 9x12 and 11x14 panels are great for outdoors, depending on your easel, how fast you paint and your level.
SunEden Artist’s Gear Wet canvas carriers (for traveling)
Plein Air umbrella (optional if outdoors)
Small sketchpad of mid toned gray pastel paper or larger sheets cut smaller. (3-5 day workshop attendees will receive a study book)
White charcoal pencil, regular 2b or 6B pencil, eraser,
Artist's ViewCatcher View Finder (gray plastic crop/view finder tool) available at most art stores.
Jack's Linseed Studio Soap for cleaning oil and acrylic brushes. Paper towels, cheap plastic table cloth for a drop cloth and trash bags
Not allowed for travel: Gamsol Artists’ Grade Odorless Mineral Spirits are NOT allowed if TRAVELING BY PLANE or cruiseship. DO NOT PACK AND BRING. IT IS ILLEGAL TO BRING OMS ON FLIGHTS. Gamblin Gamsol and other mediums will be gifted to you as part of the 3-5 day workshops.
Do not use contractor-grade OMS that is available at hardware stores. It is not good for you, people around you, or your paints!
Be comfortable outdoors:
Dress in layers, or bring a change of clothes, and adjust as the weather changes
Wear neutral-colored top or jacket to avoid reflections on your canvas
Hat or a visor. I like a wide brimmed hat to keep much sun off.
Sunscreen Bug spray
Bring plenty of bottled water
Pastel Supply List with Linda Richichi
_ Canson large sheets mid tone – (not too light and not real dark).
Gray tones, Aubergine or Sand are my favorites. Available in most art
stores. I like the Jack Richeson Premium Pastel Surface (sanded and toned in a medium value. Many colors to choose from. (see below)
_ Foam core Board (one or two depending on what size you work in.)
_ Clips to hold pastel paper
Charcoal Sticks – Soft or medium (optional) I use the pastel to draw
• Paper towels, cheap plastic tablecloth for a drop cloth and trash bags.
Want new pastels? Call me. I am currently using pastels from Jack Richeson and would love to advise you on the best set.
I like the new half sticks set from Jack Richeson as a starter set and for traveling. At home, the regular size sticks are wonderful.
Foundation Layer: half stick semi soft set or semi hard (squared edges) set by Jack Richeson
Will recommend a set for you when taking my class from Jack Richeson.
Paper of a higher quality:
Jack Richeson Gator board or pack of Richeson Premium Pastel Surfaces (Sandstone, Light Umber, Shale or Storm)
Uart sanded paper (light yellowish)
You can wet both of the above with a watercolor wash underneath the initial layers.
No larger than 9 x 12 (only if you buy the 8” x 10” cigar box)
You may buy larger sizes and cut them down. Cut the 2 foam boards just slightly larger than paper size you choose and sandwich pastel paper between the two foam boards and clip them together.
How to make a Drawing Board for pastels-
You want a piece of foam core as the bottom layer and a top piece to sandwich in, cover and protect your pastel paper (and completed works). Clips works best to hold it shut. Use two pieces slightly larger than the paper size you will work on are then taped on one side and clipped on three sides.
Put several sheets of paper between the foam core before taping the foam core to hold the paper. Use this as your drawing board. Simply open the top take out several sheets of your paper to work on (the extra adds some cushion) and then close your folder back up. Clip the paper (with the extra sheets under it and clip on three sides so it doesn’t move).
Cut paper to a standard size 8 “ x 10” , 9” x 12”, 11” x 14” , 16” x 20” or the paper size is 19 ½ x 24 (make it an 18” x 24” instead). What ever size you choose, you will want the foam core to be slightly larger (the exact size on the top and bottom to protect your paper).
Glassine paper or tracing paper between each sheet will protect your pastels from smudging.
Easel : If working indoors, a table easel will do. Make sure you have a catch below the easel to catch the dust and I recommend having a air purifier close by. The dust is not healthy so do not blow on the pastel when working.
If investing in an easel that you can also use outdoors to plein air paint, ask me and I'll email you my favorites or look under the oil painting supplies for ideas.
Any questions, ask me!